New readers start here: I began an exercise on 7 September, the day the
Man Booker shortlist was announced, to reserve them through the public libraries I use and read them all by the prize-giving, a week away today, on 12 October.
The last time I reported progress, it looked as if I would not achieve my goal; I was a long way down the waiting lists for some of the six titles.
However, I should not have been so pessimistic.
I was delighted to find that East Sussex came up trumps, so I now have Tom McCarthy's
C, Emma Donoghue's
Room, and Peter Carey's
Parrot and Olivier in America all waiting to be read. Brighton have Damon Galgut's
In a Strange Room waiting for me on the reserve shelf, so all I have to do now is read them by Tuesday.
I took back Howard Jacobson's
The Finkler Question today. Compared to Andrea Levy's
The Long Song, the first of the six I read, this was much more a
novel, subtle and complex. I've read nearly all of Jacobson's novels and his themes are no surprise, but are handled here with even greater wit, skill and art than before. A note for Sussex readers: there is a PhD waiting to be written on the place of Eastbourne in Jacobson's œuvre.
It is impossible to compare two books as different as The Finkler Question and The Long Song, but I have no doubt which is the greater work. At the moment, were I the panel, I'd hand Howard Jacobson the prize this instant.
Is this a fair test of public libraries? Of course not. The ability to supply copies of the entries for literary prizes is only one way to assess stock provision. One would also want to examine how easy it is to obtain a copy of the canon of English literature, how well foreign literature is represented, in translation and in the original, the level of provision of works by local authors, of experimental fiction, and so on.
Looks can be deceiving. In 1978, when I first worked in Child's Hill branch of the London Borough of Barnet library service as a library assistant, my first impression was that the shelves contained nothing but the works of Jean Plaidy and Georgette Heyer. As I came to know the stock, I came across a copy of B.S. Johnson's
The Unfortunates, his novel in which the reader can arrange and read the chapters, apart from the first and last, in any order. This seemed out of place with the historical romances, the family sagas, the westerns, still then a live genre, and the crime novels that made up most of the stock. But someone had had the intelligence to see that a public library is not a bookshop, and that it should have room for material that will not be borrowed frequently.
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